BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, August 1, 2020

“Mary Poppins in the Park” by P. L. Travers (post 8): Fantasy and Shadow Alternate Personalities

Fantasy Alternate Personalities
Both adult and child characters have experiences in which, for a period of time, fairy tale characters exist as real animals and people, followed by questioning as to whether these episodes really happened (but they are portrayed as real). “I remember everything,” said Michael…“And so does Jane—don’t you, Jane? And you do, too, Mary Poppins!” (1, p. 159). These fairy tale characters are equivalent to alternate personalities as long as they seem to have minds of their own.

In the chapter, “The Park in the Park,” a miniature, magically-peopled park is created within the real park. “But it happened, didn’t it?” he [Michael] whispered. “We did go into the little Park and join them at the feast…“Oh, yes, it was true” [agrees Jane]. “Do you think, Mary Poppins, that everything in the world is inside something else?” (1, 204-205). Once again, there have been fantasy characters that had minds of their own, but afterwards, the regular, host personalities have to fight the tendency to have memory gaps.

Shadow Alternate personalities
In the last chapter, “Hallowe’en” (the night before Mary Poppins’ birthday?), all the regular characters have autonomous shadows, variously referred to as “his double” (1 p. 231) and “Your other selves—your shadows…” (1, p. 251). These shadows are the most straightforward depiction of alternate personalities in this novel, except that the psychological issue is camouflaged by attributing it to Halloween.

1. P. L. Travers. Mary Poppins in the Park [1952]. Boston, Houghton Mifflin Harcourt, 1997.

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