BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, August 30, 2020

“The Vanishing Half” by Brit Bennett (post 2): First third of novel continues both racial “passing” and multiple personality issues

The novel’s racial “passing” theme does not require that the protagonists, Desiree and Stella, be identical twin sisters. (Identical twins are a metaphor for multiple personality, because alternate personalities, sharing the same body, look identical.)

In addition, Desiree hears the voice of Stella (her missing identical twin sister) “in her own head” (1, p. 70). And when a nonpsychotic person hears rational voices in her head, it is probably the voice of an alternate personality.

Moreover, Desiree, a very light-skinned African-American, has married a very dark-skinned African-American man, and they have had a very dark-skinned daughter, Jude. But Desiree and Jude have had to flee from the marriage, because the husband, who had appeared to be a good man, has physically abused Desiree, who has fled with Jude to Desiree’s home town. She befriends a man named Early Jones, who, coincidentally, earns his living by hunting for missing persons (such as Stella, whose whereabouts are unknown).

And this is how Desiree compares her abusive husband and her friend Early: “Early was easy. He had no hidden sides” (1, p. 93), thus attributing her husband’s abusive behavior to “a hidden side,” which implies an abusive alternate personality, which had not been evident when she first married him, but which came out at times during the marriage.

Since there is no reason for a novel on racial “passing” to feature identical twins or have a protagonist hear voices in her head or have a husband with “a hidden side,” these suggestions of multiple personality are gratuitous. And when a novel has gratuitous suggestions of multiple personality, it probably reflects multiple personality trait in the author.

1. Brit Bennett. The Vanishing Half. New York, Riverhead Books, 2020.

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