BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, September 16, 2020

“A Christmas Carol, A Ghost Story of Christmas” by Charles Dickens: However, in real life, Dickens mocked belief in ghosts and was a ghost buster!

“Dickens…like many of his contemporaries, routinely mocked the belief in ghosts as a lingering trace of the uncivilized past…” (1, Introduction, p. xiii). Indeed, he was a skeptic of paranormal phenomena and was a ghost buster (2).

Why was he skeptical? As discussed in past posts, citing nonfiction sources, Dickens would sometimes hear the voices of, visualize the presence of, and converse with, people who seemed real, but he knew were imaginary.

Moreover, as an avid student and practitioner of hypnosis (known then as mesmerism) (3), Dickens had probably seen, and possibly induced, such phenomena in others.

1. Charles Dickens. A Christmas Carol [1843] and Other Christmas Books. Edited and with an Introduction by Robert Douglas-Fairhurst. Oxford World’s Classics. Oxford, Oxford University Press, 2006.
3. Fred Kaplan. Dickens and Mesmerism: The Hidden Springs of Fiction. Princeton, Princeton University Press, 1975.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.