BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, October 30, 2020

“Crime and Punishment” (Part One) by Fyodor Dostoevsky: Raskolnikov babbles, and often returns home with amnesia for the route he has taken


Babbles

Raskolnikov says to himself “I babble too much…That’s why I don’t do anything, because I babble. However, maybe…I babble because I don’t do anything. I’ve learned to babble…thinking about…cuckooland…Am I really capable of that? Is that something serious? No, not serious at all. I’m just toying with it, for the sake of fantasy. A plaything! Yes, a plaything, if you like!” (1, p. 4).


Is that the same personality who, later in Part One, actually kills two women with an ax?


And when he says to himself, “Yes, a plaything, if you like,” who is “you”? Is it an artifact of the translation, a linguistic habit, or one of his alternate personalities? (Persons with multiple personality rarely have only two personalities.)


Fugue

“It had happened to him many times before that he would arrive at home, for example, having absolutely no recollection of which way he had come, and he had already grown used to going around that way” (1, p. 46).


Traveling some place, but having no memory for how you got there, is a dissociative fugue, a common symptom in multiple personality (a.k.a. dissociative identity).


When traveling is not involved, but the person does not remember what happened during a period of time, it is simply a memory gap, a cardinal symptom of multiple personality.


The explanation is that the regular personality has no memory for what happened when one or more alternate personalities were in control. Thus, if you know the person’s alternate personalities, you can ask them, and they can tell you what happened.


1. Fyodor Dostoevsky. Crime and Punishment: A Novel in Six Parts with Epilogue [1866]. Translated by Richard Pevear and Larissa Volokhonsky. New York, Vintage Classics/Random House, 1993. 

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