BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, November 3, 2020

“Crime and Punishment” (Part 3) by Dostoevsky: Raskolnikov said to have “two opposite characters in him, changing places with each other”


Raskolnikov’s friend says, “At times, however, he’s not hypochondriac at all, but just inhumanly cold and callous, as if there really were two opposite characters in him, changing places with each other” (1, p. 215).


The above may foreshadow something to come, but, so far, no character or narrator has been thinking in terms of multiple personality, per se. The most common psychiatric diagnosis applied to Raskolnikov has been “monomania,” which meant they thought he was only partially mad.


A biographer’s interpretation that Raskolnikov committed the murder, because, as a student, his mind had been poisoned by certain philosophical ideas, is suggested by the fact that, as a student, he had written an article “On Crime” (1, p. 258), which justified murder committed by extraordinary people.


But his mother says he had been unusual prior to university: “…I could never trust his character, even when he was only fifteen years old. I’m certain that even now he might suddenly do something with himself that no other man would ever think of doing…” (1, p. 216), although she wasn’t thinking of murder.


It is possible to combine the two interpretations: that what he learned as a student was taken to heart by an alternate personality.


Most multiples are not murderers, but a few have been (2).


1.Fyodor Dostoevsky. Crime and Punishment: A Novel in Six Parts [1866]. Translated by Richard Pevear and Larissa Volokhonsky. New York, Vintage Classics/Random House, 1993.

2. Dorothy Otnow Lewis, M.D. et al. American Journal of Psychiatry, 1997. “12 Murderers with Dissociative Identity Disorder” [multiple personality disorder] https://ajp.psychiatryonline.org/doi/10.1176/ajp.154.12.1703 

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