BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, November 8, 2020

Freud and Proust on Creative Artist: Freud cannot explain creative artist. Proust says books are written by alternate personality 


Freud

“Everyone knows Freud’s famous comment that ‘before the problem of the creative artist analysis must, alas, lay down its arms’ ” (1, p. 26).


Proust

“Sainte-Beuve’s slavish overemphasis on ‘manifest biography’ irritated Marcel Proust, who composed an eloquent refutation. One of the points he made was that ‘a book is a product of another ego, different from the one we display in our customs, in society and in our vices’ ” (1, pp. 29-30).


1. Marcos Aguinis. “A Masterpiece of Illumination.” Translated by Philip Slotkin. In On Freud’s “Creative Writers and Day-Dreaming,” Edited by Ethel Spector Person and Sérvulo Augusto Figueira. New Haven, Yale University Press, 1995. 

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