BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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— If you read only recent posts, you miss most of what this site has to offer.

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Tuesday, December 1, 2020

Cervantes' “Don Quixote” and Alexandre Dumas' “The Count of Monte Cristo”: Multiple Personality Plots


A man named Alonso Quixano switches to his alternate personality, Don Quixote, has adventures, but, in the end, switches back to his regular personality, Alonso Quixano.


A man named Edmond Dantès switches to his alternate personality, Monte Cristo, has adventures, but, in the end, switches back to his regular personality, Edmond Dantès.


For elaboration, see past posts.

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Added next day: The multiple personality plot of the fiction writing process is that the writer’s regular personalities cede overt control to the person’s writing personalities (narrators, characters, editors, etc.); then, when the writing session is over, they all switch back, to allow regular life to resume.


However, even when the regular personalities are in overt control, the writing personalities are usually conscious, simultaneously, and still writing, but covertly, behind the scenes, usually out of the regular personalities’ awareness, so as not to interfere with regular life.


Both the multiple personality and simultaneity are depicted by Henry James in his 1892 short story, “The Private Life” (1).


Of course, the details of how all this works are unique to each writer.


1. Henry James. Ghost Stories. Introduction and Notes by Martin Scofield, University of Kent at Canterbury. UK, Wordsworth Editions, 2001.

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