BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, January 29, 2021

“Villette” (post 6) by Charlotte Brontë (post 18): Narrator-protagonist, Lucy Snowe, on the multiplicity of her creative process and sense of identity


“I, to whom nature had denied the impromptu faculty; who, in public, was by nature a cypher; whose time of mental activity, even when alone…needed the fresh silence of morning, or the recluse peace of evening, to win from the Creative Impulse one evidence of his presence, one proof of his force; I, with whom that Impulse was the most intractable, the most capricious, the most maddening of masters…—a deity, which sometimes…would not speak when questioned, would not hear when appealed to, would not, when sought, be found; but would stand, all cold…all granite…like the stone face of a tomb; and again, suddenly, at some turn, some sound, some long-trembling sob of the wind…the irrational demon would wake unsolicited, would stir strangely alive…perhaps filling its temple with a strange hum of oracles, but sure to give half the significance to fateful winds, and grudging to the desperate listener even a miserable remnant…” (1, p. 356).


“Is there another Lucy Snowe?” (1, p. 486).


1. Charlotte Brontë. Villette [1853]. Edited by Margaret Smith and Herbert Rosengarten. Introduction and Notes by Tim Dolan. Oxford, Oxford University Press, 2000/2008. 

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