BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, February 21, 2021

“Go Tell It on The Mountain” by James Baldwin (post 1): Protagonist has visual illusions suggestive of multiple personality


The protagonist, John Grimes, is a well-functioning fourteen-year-old. The principal of his school says he is “very bright” (1, p. 15). But the visual illusions he has of his mother’s face and his own face are noteworthy. Since he is not psychotic, neurologically impaired, or on drugs, such illusions suggest multiple personality.


“…his mother’s face changed. [He was wide awake, but] Her face became the face that he gave her in his dreams, the face that had been hers in a photograph he had seen once, long ago, a photograph taken before he was born” (1, p. 17). Sometime multiples have difficulty distinguishing between dreams and waking experiences.


When doing some cleaning at home, “he attacked the mirror with the cloth, watching his face appear as out of a cloud…He stared at his face as though it were, as indeed it soon appeared to be, the face of a stranger, a stranger who held secrets that John would never know” (1, p. 23). Search “mirror” and “mirrors” for prior discussions.


1. James Baldwin. Go Tell It on The Mountain [1953]. New York, Vintage International/Penguin Random House, 2013.

2. Wikipedia. https://en.wikipedia.org/wiki/James_Baldwin

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