BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, February 23, 2021

“Go Tell It on The Mountain” by James Baldwin (post 2): Symptoms of multiple personality are understood as being a religious experience


The climax of the novel, John’s religious experience, begins when “something moved in John’s body which was not John. He was invaded, set at naught, possessed” (1, p. 227). Afterwards, he asks, “Was I praying long?” Laughing, his friend answers, “Well, you started praying when it was night and you ain’t stopped praying till it was morning. That’s a right smart time, it seems to me” (1, p. 258).


Since John does not speak of them, he apparently has a memory gap for various things, including: “a malicious, ironic voice” (1, p. 228); “the Holy Ghost was speaking” (1, p. 229); visions of his father, mother, aunt, and friend (1, pp. 229-231); the ironic voice again (1, p. 231); “He did not know where he was” (1, p. 231); and “John saw the Lord—for a moment only” (1, p. 240).


From a psychological perspective, being “possessed,” hearing rational voices, seeing meaningful visions, and having a memory gap, taken together, are symptoms of multiple personality. Since several characters have such experiences, and they are not labeled as multiple personality, it probably reflected the author's sense of ordinary psychology, based on people he knew and the author's own experience.


1. James Baldwin. Go Tell It on The Mountain [1953]. New York, Vintage International/Penguin Random House, 2013. 

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