BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Saturday, February 27, 2021

Nobel Prize novelist Kazuo Ishiguro quoted on his “parallel lives”: In tomorrow’s New York Times Magazine cover story


Since I have a past post here on Ishiguro’s novel, “Never Let Me Go,” I was interested to see if tomorrow’s New York Times Magazine article quotes Ishiguro about his own psychology. It does.


In a section of the article that begins with the sentence, “What exactly is an individual?”—it quotes Ishiguro on his having two personalities:


“ ‘They’re like parallel lives,’ he [Ishiguro] said, distinguishing between his public self, who gives interviews and wins awards [his host personality], and the private one [his alternate personality], who spends day after day in his study, trying to will imaginary worlds into being” (1).


This is the same kind of fiction writer’s multiple personality that Henry James depicted in his short story, “The Private Life,” and that Margaret Atwood wrote about at length in her nonfiction book, “Negotiating With the Dead: A Writer on Writing,” both of which I have previously discussed.


Search “Ishiguro” here to see my 2017 post.


1. Giles Harvey. “The Age of Ishiguro.” https://www.nytimes.com/2021/02/23/magazine/kazuo-ishiguro-klara.html 

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