BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, March 1, 2021

“Charlotte’s Web” by E. B. White (post 4): Fable about fiction writing, in which a spider represents an alternate personality, writing behind the scenes


Wilbur is a pig who is awarded a special medal at the country fair, because a series of words that make reference to him have appeared in a spider web. Since all of the humans (except a girl named Fern) assume there is no such thing as spiders who are writers, they have given Wilbur credit for the writing, by some kind of miracle.


Fern, since she can understand what the animals are saying to each other, knows that the spider, Charlotte, has been writing these words in her web as a way to make Wilbur seem special, so that he won’t be killed for food. But when Fern tries to tell people that Wilbur is not responsible for the writing, that it is Charlotte the spider, working behind the scenes, nobody believes her.


That E. B. White saw Charlotte as representing writing, and how writing is actually done, is seen in how he ends the novel. These are his last words:


“It is not often that someone comes along who is a true friend and a good writer. Charlotte was both” (1, p. 184).


1. E. B. White. The Annotated Charlotte’s Web. Introduction and Notes by Peter F. Neumeyer. Pictures by Garth Williams. New York, HarperCollins, 1952/1994. 

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