BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Thursday, March 18, 2021

“Stuart Little” by E. B. White: Like “The Portrait of a Lady” by Henry James, this children’s classic has an unresolved ending


After discussing Charlotte’s Web, I obtained the author’s earlier children’s classic, Stuart Little, which I have just read. The title character is born to Mr. and Mrs. Little, human parents, and is accepted as their child (along with their older, normal human son), even though Stuart has the tiny body of a mouse. He thinks and speaks like a normal human.


Stuart befriends a female bird, who is taken into the Little family’s New York City apartment. But when a neighborhood cat threatens to eat her, she flies away. Stuart, driving a gasoline-powered miniature car, sets out on the road to find her. At the end of the novel his quest is unresolved: “As he peered ahead into the great land that stretched before him, the way seemed long. But the sky was bright, and he somehow felt he was headed in the right direction” (1, p. 131).


As to an animal alternate personality, if Kafka (search “Kafka”) can have an insect, then E. B. White can have a mouse.


It is purely coincidental that Stuart Little has an unresolved ending, like the novel I had just finished, The Portrait of a Lady by Henry James. The main difference is that E. B. White knew what he was doing.


1. E. B. White. Stuart Little. Pictures by Garth Williams. New York, HarperTrophy, 1945. 

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