BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Tuesday, March 9, 2021

“The Foundation Trilogy” (post 2) by Isaac Asimov (post 4): Science Fiction Explanation of Writing Process and Multiple Personality


In my first post on Asimov, who was amazingly prolific, I quoted his memoir on his writing process: “I can hear bits of dialogue…or passages of exposition…That’s why I’m always ready to write. Everything is…already written” (1).


Since he experienced his works as “already written,” he must have wondered who had written it, put the words in his mind, and made his typing it so enjoyable. The Foundation Trilogy is Asimov’s science-fiction answer.


Near the end of the third novel of this trilogy, a character wonders: “When can a man know he is not a puppet? How can a man know he is not a puppet?” (2, p. 601). It turns out that the “Second Foundation” is a secret group of scientific psychologists, who, without doing any kind of therapy, can put ideas in any person’s mind and change their personality.


1. Isaac Asimov. I. Asimov: A Memoir. New York, Bantam/Doubleday, 1994.

2. Isaac Asimov. The Foundation Trilogy: Foundation, Foundation and Empire, Second Foundation [1942-1953]. Introduction by Michael Dirda. New York, Everyman’s Library, 2010. 

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