BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, March 30, 2021

“The Nightingale” by Kristin Hannah (post 2): Vianne, fifty years later, may show multiple personality symptoms of memory gap and third-person self-reference


The frame of this WWII story is that it is, at least in part, the reminiscence of Vianne, in 1995, who is now old and ill, and living on the west coast of the United States. She has gotten an invitation to attend a reunion in Paris:


“That damned invitation is haunting me. I’d swear it has a heartbeat. For days I have ignored it, but on this bright spring morning, I find myself at the counter, staring down at it. Funny. I don’t remember walking over here and yet here I am. Another woman’s hand reaches out. It can’t be my hand, not that veiny, big-knuckled monstrosity that trembles. She picks up the envelope, this other woman. Her hands are shaking even more than usual…


“Do I make a decision [about attending the reunion]? A conscious, let’s-think-it-out-and-decide-what’s-best kind of decision? No, I make a phone call to my travel agent and book a flight to Paris, through New York. Then I pack a bag…At the last minute, after I have called a taxi, I call my son and get his message machine…When I hang up, I see the taxi pull up out front. And I go” (1, pp. 383-385).


Comment

Does the section in bold, above, describe a multiple personality memory gap and a third-person self-reference to an alternate personality (“another women,” “she”), or is this just forgetfulness due to age and illness, and her sense of humor about her old age?


Since she may have been the one providing at least her part of the story of this long, detailed novel, and since she has just made her new travel arrangements so swiftly and competently, old age and illness may not be the best explanation for her memory gap and third-person self reference.


1. Kristin Hannah. The Nightingale [2015]. New York, St. Martin’s Griffin, 2017.


Added March 31: The symptoms cited in these two posts did not recur in the rest of the novel, which suggests they reflect the psychology of the author, not the psychology of these particular characters.

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