BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, March 12, 2021

“The Portrait of a Lady” (post 5) by Henry James: Isabel hears a voice, suddenly switches attitude, unintentional symptoms of multiple personality


Isabel has just rejected a marriage proposal by Lord Warburton, who is rich, attractive, and accommodating. The best guess as to why she has done this is that she fears a loss of independence.


But the novel has pointedly provided the example of her aunt, who is married to a rich man, but spends most of the year in a different country and lives quite independently. So both Isabel and the reader find her behavior puzzling.


Meanwhile, there have been two more clues that Isabel might have multiple personality. There is no indication that the author has done this intentionally; they are mentioned inadvertently, in passing.


Isabel hears a voice

“A certain instinct, not imperious, but persuasive, told her to resist—murmured to her that virtually she had a system and an orbit of her own. It told her things besides—things which both contradicted and confirmed each other” (1, p. 114).


Instincts don’t speak. Alternate personalities do. Isabel is hearing from something that is personified and speaking to her: It is “not imperious, but persuasive, told her to resist…murmured…told her things.” 


Isabel switches personalities

Puzzled by her own rejection of the marriage proposal, she says, “ ‘I don’t care if I don’t meet anyone else. I like Lord Warburton quite well enough.’ She fell into that appearance of a sudden change of point of view with which she sometimes startled…her interlocutors” (1, p. 124).


When a person with undiagnosed multiple personality suddenly switches personalities—which typically remain incognito—all that may be noted is that the person has a startling change in attitude. And it is implied that this was not Isabel’s only episode.


1. Henry James. The Portrait of a Lady [1881/1908]. Editing, Introduction, Notes by Roger Luckhurst. New York, Oxford University Press, 2009. 

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