BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, April 12, 2021

“Middlemarch” (post 7) by George Eliot (post 18): Dorothea is nearsighted (1, p. 444), her Uncle wears eyeglasses (1, p. 454), so why doesn’t she?


Women did wear eyeglasses in the nineteenth century (2). Perhaps not as commonly as men. But so far, the issue has not even been raised as to why Dorothea does not wear them, or at least have them for optional use on appropriate occasions.


When the narrator recurrently makes a point of saying that Dorothea has “short-sighted eyes,” does that imply a defect in her character?


Or did the author mean nothing significant by it?


For my purposes, it would have been better if Dorothea had eyeglasses, but wore them only at certain times, indicating different personalities. Or maybe George Eliot knew that, and wanted to avoid the issue.


1. George Eliot [Mary Anne Evans]. Middlemarch [A Study of Provincial Life] [1872]. Edited with Notes by David Carroll. With an Introduction by David Russell. Oxford, Oxford University Press, 2019.

2. Trystan L. Bass. “A Brief History of Women’s Eyeglasses.” http://www.trystancraft.com/costume/2018/04/17/a-brief-history-of-eyeglasses/

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