BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Thursday, April 22, 2021

“The Dark Half” (post 2) by Stephen King (post 10): Unknown narrator, using oddly indented parenthesis, implies “George Stark” had actually been buried


Chapter 3 takes place in the cemetery where People magazine had set up an imitation grave site to take a picture for their article on the “death” of the protagonist’s literary pseudonym. The inscription on the imitation headstone had been: GEORGE STARK, 1975-1988, Not a Very Nice Guy.


The cemetery’s gravedigger finds a hole at that site, where no grave had ever been dug and nobody had ever been buried. Even more puzzling, it looks like someone has dug his way out of that hole, and there are large footprints leading away from it; moreover, the gravedigger is told that a murder has been reported less than a mile away.


Still puzzling to me, this chapter again contains one of the author’s oddly indented parentheses, previously seen in Carrie (see Carrie posts):


“The fragments of footprints petered out less than twelve feet from the

    (grave)

    hole in the ground” (1, p. 51).


It appears that what the regular narrator refers to as a “hole,” some other narrator is calling a “grave,” implying that George Stark (the discontinued pseudonym) had actually been buried there.


In short, the pseudonymous alternate personality has gotten a literary incarnation, death, burial, and resurrection. And I’m still not sure who is communicating to the reader via the oddly indented parenthesis.


1. Stephen King. The Dark Half [1989]. New York, Gallery Books, 2018. 

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