BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, May 21, 2021

“The World According to Garp” by John Irving (post 1): In first third, Garp writes a short story, while Jenny, his mother, writes her autobiography


Nineteen-year-old Garp and Jenny are aspiring writers.


“And then what? Garp wondered [after beginning to write his short story]. What can happen next? He wasn’t altogether sure what had happened, or why. Garp was a natural storyteller; he could make things up, one right after the other, and they seemed to fit. But what did they mean?…Garp knew he did not know enough; not yet…now he had to trust the instinct that told him not to go any further until he knew much more…He put ‘The Pension Grillparzer’ aside. It will come, Garp thought” (1, p. 132). [The title of his short story, written when he and his mother are on vacation in Vienna, is the name of a boarding-house.]


Meanwhile, “Jenny had kicked her writing habit into yet a higher gear; she had found the sentence that had been boiling in her…it was an old sentence, actually, from her life long ago, and it was the sentence with which she truly began the book that would make her famous.


“ ‘In this dirty-minded world,’ Jenny wrote, ‘you are either somebody’s wife or somebody’s whore—or fast on your way to becoming one or the other’…


“ ‘I wanted a job and I wanted to live alone,’ she wrote. ‘That made me a sexual suspect.’ And that gave her a title, too. A Sexual Suspect, the autobiography of Jenny Fields. It would go through eight hard-cover printings and be translated into six languages even before the paperback sale…


“ ‘Then I wanted a baby, but I didn’t want to have to share my body or my life to have one,’ Jenny wrote. ‘That made me a sexual suspect, too’ ” (1, 133-134)…

 

When Garp felt ready to resume writing his short story, “What Garp was savoring was the beginning of a writer’s long-sought trance…” (1, p. 140).


Comment

As quoted above, “He wasn’t altogether sure what had happened, or why. Garp was a natural storyteller; he could make things up…But what did they mean?…It will come, Garp thought.” He doesn’t understand his own story, because it comes to him from storyteller alternate personalities.


And the rest of the story will come to him when he goes into a “trance”: “What Garp was savoring was the beginning of a writer’s long-sought trance…” Trance facilitates a transfer of the story from one personality to another.


Things also come to Jenny: “She had found the sentence that had been boiling in her.” Who had kept that sentence boiling in her, and who now provided it to her in a timely fashion? She didn’t think of the sentence. She “found” it. 


Similarly, as quoted in past posts, Stephen King describes his stories as “found objects,” which he finds by going into a “trance.”


See links (2, 3, 4) for a general orientation to this novel and its author.


1. John Irving. The World According to Garp [1978]. 40th Anniversary Edition. New York, Dutton, 2018.

2. Wikipedia.The World According to Garp. https://en.wikipedia.org/wiki/The_World_According_to_Garp

3. New York Times. https://archive.nytimes.com/www.nytimes.com/books/97/06/15/lifetimes/irving-garp.html

4. Wikipedia. John Irving. https://en.wikipedia.org/wiki/John_Irving

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