BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, June 30, 2021

“A Tree Grows in Brooklyn” by Betty Smith (post 4): When, on the last page, Francie says, “Good-bye, Francie,” to whom does she refer?


When I was growing up, my family and friends called me “Kenny,” and they still do. For me to say “Good-bye, Kenny” would be absurd.


And undoubtedly, the people closest to Francie (who is now almost seventeen and about to attend college out of town) will continue to call her “Francie.” So what does she mean by “Good-bye, Francie”? (1, p. 493).


To whom, or to what, does she refer?


On the preceding page, she identifies that Francie as being a girl aged “ten” (1, p. 492). Thus, she is distinguishing herself from a 10-year-old, child-aged alternate personality that she expects to play a much less significant role in her life from then on.


Since there is no indication that the character or narrator thinks in terms of alternate personalities, per se, this novel is another example of unacknowledged multiple personality.


1. Betty Smith. A Tree Grows in Brooklyn [1943]. New York, Harper Perennial Modern Classics, 2006. 

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