BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Saturday, June 19, 2021

“Gentlemen Prefer Blondes” by Anita Loos: Early in this “great American novel,” the protagonist’s alternate personality shoots a man


Gentlemen Prefer Blondes was praised by William Faulkner, Aldous Huxley, F. Scott Fitzgerald, James Joyce, H. G. Wells, and Edith Wharton, who called it “the great American novel” (1).


In the author’s preface, “The Biography of a Book,” Anita Loos, a brunette, explains that she was inspired to write the book, because she resented the fact that men did show a preference for blondes. And she intended her blonde protagonist, Lorelie, “to be a symbol of the lowest possible mentality of our nation” (2, p. xxxix).


However, the author cautions the reader not to think that her novel is merely a joke. “In fact, if one examines the plot of Gentlemen Prefer Blondes, it is almost as gloomy as a novel by Dostoievski…It concerns early rape of its idiot heroine” and “an attempt by her to commit murder” that is “only unsuccessful because she is clumsy with a gun” (2, pp. xxxviii-xxxix).


However, in the novel, itself, Lorelie’s failed attempt to commit murder is not a funny example of clumsiness, but an attempt to commit murder by an alternate personality, for which Lorelie’s regular personality has amnesia; that is, she has had a multiple personality memory gap:


“So when I [Lorelie] found out that girls like that paid calls on Mr. Jennings I had quite a bad case of histerics [sic] and my mind was really a blank and when I came out of it, it seems that I had a revolver in my hand and it seems the revolver had shot Mr. Jennings” (2, p. 25).


As in most novels, the issue of multiple personality, per se, is unacknowledged.


1. Wikipedia. “Gentlemen Prefer Blondes (novel).” https://en.wikipedia.org/wiki/Gentlemen_Prefer_Blondes_(novel)

2. Anita Loos. Gentlemen Prefer Blondes: The Illuminating Diary of a Professional Lady (1925) and But Gentlemen Marry Brunettes (1927). New York, Penguin Books, 1998.


Added June 20: The rest of Gentlemen Prefer Blondes has nothing relevant here. And since its sequel is not considered to be up to its standard, I will not pursue it. 

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