BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, June 8, 2021

“The Mystery of Mrs. Christie” by Marie Benedict (post 2): Multiple-personality memory gaps of Agatha Christie and/or Marie Benedict


This novel’s conclusion to Agatha Christie’s real-life disappearance is that Mrs. Christie faked amnesia as part of a scheme to get her husband to name his mistress in their ensuing divorce proceedings. It makes no sense. There were much easier ways for her to embarrass him and his mistress, without embarrassing herself.


In an “Author’s Note” at the end of the novel, Marie Benedict admits that she concluded the novel this way, not because of any historical facts, but because Benedict is “a writer on a mission” to write about strong women, and “How could she have suffered from amnesia or gotten herself into some sort of fugue state, as some have theorized?” (1, pp. 263-264).


Ironically, Benedict does portray Agatha Christie, earlier that same year, as having a remarkable memory gap in another emotional situation. Following her mother’s death: “I didn’t remember much of the days that followed—the funeral planning, the travel from Abney to Ashfield, the arrival of family members, the service. Perhaps the gaps in my recollection were a godsend, as by all accounts, I became a howling, sobbing animal” (1, p. 178).


I don’t know whether the latter memory gap was based on any known history of Agatha Christie or reflects the psychology of Marie Benedict.


1. Marie Benedict. The Mystery of Mrs. Christie. Naperville IL, Sourcebooks Landmark, 2021. 

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