BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, July 5, 2021

“One Flew Over the Cuckoo’s Nest” by Ken Kesey (post 4): Proof narrator didn’t identify with mirror-image, because he’s a different-looking alternate personality


In post 3, I noted that when the narrator, Bromden, looked in the mirror, he said the image did not look like him. That suggested multiple personality, but I didn’t know his alternate personality's self-image.


Early in the novel, another character had given an objective description: “I think somebody measured him once at six feet seven; but even if he is big, he’s scared of his own shadow. Just a big deaf Indian” [Native American] (1, p. 22).


Much later in the novel, after McMurphy discovers that Bromden can hear and speak, he encourages Bromden to stand up for himself.


“No,” I told him. “I couldn’t.”

“Couldn’t tell them off? It’s easier than you think.”

“You’re…lot bigger, tougher’n I am,” I mumbled.

“How’s that? I didn’t get you Chief.”

“You are bigger and tougher than I am. You can do it.”

“Me? Are you kidding? Criminy, look at you: you stand a head taller’n any man on the ward. There ain’t a man here you couldn’t turn every way but loose, and that’s a fact!”

“No. I’m way too little. I used to be big, but not no more. You’re twice the size of me.”

“Hoo, boy, you are crazy, aren’t you? The first thing I saw when I came in this place was you sitting over in that chair, big as a damn mountain…” (1, p. 187).


1. Ken Kesey. One Flew Over the Cuckoo’s Nest [1962]. New York, Penguin Books, 2007.

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