BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, September 29, 2021

“Beach Read” by Emily Henry (post 3): People contain multitudes, may split in two, and author experiences protagonist as growing outside of her


When I read that this bestseller was about two novelists who help each other overcome writer’s block, I was hoping it would describe subjective experiences of the writing process. But the main experiences described are sexual encounters between the two novelists from the woman’s point of view.


In the rest of the novel, all I have found of relevance here are passing comments, suggestive of multiple personality, that apparently reflect the author’s view of human nature and of the way she experiences her characters.


People Contain Multitudes (Alternate Personalities)

“Your mother has been a lot of people in the twenty years I’ve known her…You have to keep falling in love with every new version of each other” (1, p.219).


Person Splits Apart (Into Different Personalities)

“I felt like I was coming apart…and I was going to split” (1, p. 331).


Character Grows Apart From Author (Like Alternate Personality)

“January [the protagonist] grew far outside of me [Emily Henry], until she was a full, real character. A thorny, messy, heartbroken woman with a lush, meaningful story (1, Readers Guide).


But aren’t those metaphors? Yes, but they may be what I call “subjectively experienced metaphors” (search).


1. Emily Henry. Beach Read. New York, Jove, 2020.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.