BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, October 1, 2021

“Conversations With Friends” (post 1) by Sally Rooney (post 3): Protagonist unintentionally introduced as student and poet with multiple personality


In “A Conversation with Sally Rooney”( 2018) at the back of this edition of her first novel, she says, “The four central characters came to me almost fully formed, long before I had any real idea of a plot, voice, or setting…People often accuse me of talking about my characters as if they’re real people, truly an unfortunate habit—and my only defense is that, to me, they are” (1, pp. 313-315).


If the author doesn’t recall creating the four central characters, then I can think of two possibilities: Either an alternate personality did create them and provide them to her for this novel, or these “characters” were some of the author’s alternate personalities, who agreed to be used as characters. But I have no way of knowing the actual details.


The first-person narrator, Frances, who says she has “a rich inner life, believe me” (1, p. 14), virtually declares having multiple personality: “Bobbi [her best girlfriend] told me she thought I didn’t have a ‘real personality,’ but she said she meant it as a compliment. Mostly I agreed with her assessment. At any time I felt I could do or say anything at all, and only afterward think: oh, so that’s the kind of person I am” (1, p. 18).


Frances’s host personality “could do or say anything,” depending on which of her alternate personalities had taken control.


Moreover, the host or regular personality is usually not the person’s original personality, may be only a facade, and may itself be composed of several personalities, addressing different social situations.


1. Sally Rooney. Conversations With Friends. New York, Hogarth, 2017.


Added Oct. 2: Reading a little further, with Frances as the first-person narrator, I'm wondering how that worked, if the characters are real people, to her, Sally Rooney (see above). Did Rooney experience herself as switching personalities to become Frances, to narrate as her? Or did Rooney just write down what she heard Frances say? Interviewers should ask Rooney what she meant.

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