BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, March 15, 2022

“In the Margins: On the Pleasures of Reading and Writing” by Elena Ferrante


This short book is a mixture of the novelist’s rambling, half-baked ideas about how her mind works.


“I don’t recall ever thinking, when I was young, that I was inhabited by an alien voice…I felt that someone was telling me what should be written and how.  At times he was male, but invisible…I have to confess, I imagined becoming male yet at the same time remaining female… (1, p.24).


“I will tell you something that may seem contradictory.  When I finished a story, I was pleased…and yet I felt that it wasn’t I who had written it… (1, p.28).


Ferrante quotes from Virginia Woolf’s A Writer’s Diary: “I’m 20 people,” adding that “what writing captures doesn’t pass through the sieve of a singular I…The writer has no name” (1, pp. 30-32).


Much of the rest of this short, 111-page book talks about male vs. female issues in writing.  Ferrante abandons the multiple personality issue of being 20 people, both male and female.


Search “Ferrante” for past posts.


1. Elena Ferrante. In the Margins: On the Pleasures of Reading and Writing. Trans. Ann Goldstein. New York, Europa Editions, 2022.

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