BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, May 11, 2022

How can multiple personality be like a novel?


In yesterday’s post, I said that multiple personality is like a novel, with the alternate personalities’ being the characters.


Did I mean that multiple personality is faked, and that the alternate personalities are manufactured? No, I meant that, like multiple personality, novelists don’t create their characters: In the post before that, I had quoted Mark Twain as saying, “Writers don’t create characters.” And he did not merely mean they plagiarize from life. Twain said that he’s too lazy to create his characters, dialogue, and stories, so he waits for “the tank” to be filled up, and then he takes these things out of the tank and writes them down.


So how do people with multiple personality get their major alternate personalities, and how do writers get their major characters? Similarly, how do children get their imaginary companions? Only the brain knows for sure, and maybe, one day, neuroscientists will figure that out.

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