BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Monday, June 13, 2022

“Comforts of the Abyss: The Art of Persona Writing” (post 2) by Philip Schultz, Pulitzer Prize poet and founder of a creative writing school


Schultz usually speaks in terms of “persona,” but he occasionally reveals his understanding that fiction writers have multiple “orchestrated personalities, the great democracy of voices we carry around within us”; and he describes an occasion when he, himself, heard two such voices arguing.


Personalities Within Us

“Occasionally, when suggesting to [a writer] what might be hidden behind a strand of dialogue, an abbreviated scene…stuttering, coughing, or squirming erupts. Whatever is causing such upset, I may then suggest, might be seen as an opportunity to find an “I” or “We” or “You” brave, tolerant, and opinionated enough to confront the origins of their discontent. That inside their assembly of orchestrated personalities, the great democracy of voices we carry around within us, an “I” exists [who will be, to borrow a phrase from Walt Whitman], “the bard of personality” (1, p. 210).


Voices Arguing

“This morning, walking along the ocean on a splendid July morning here in East Hampton, I found myself eavesdropping on an argument between two strenuous points of view. I at first ignored the intrusion but then, looking around and seeing no one, realized that the argument was one I was having with myself…” (1, p. 214).


1.Philip Schultz. Comforts of the Abyss: The Art of Persona Writing. New York, W. W. Norton & Company, 2022.

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