BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Friday, June 10, 2022

 James Patterson by James Patterson (post 2): Writer’s block and memory gaps are followed by a successful novel featuring multiple personality

“I experienced my first and only bout of writer’s block.” He destroyed the pages he’d been writing. “I don’t remember anything about the story, not a scene, not one character, not even the book’s title…” (1, p. 155). Memory gaps are a cardinal symptom of multiple personality.


Patterson next wrote the novel Along Came a Spider, which, he says, “seemed to write itself” (1, p. 156). It was the first of his successful series featuring police detective-psychologist, Alex Cross. The case revolved around whether or not the criminal had multiple personality disorder.


1. James Patterson. James Patterson by James Patterson: The Stories of my Life. New York, Little, Brown and Company, 2022.


Added June 10, 2022: The following, from past posts, make a very strong circumstantial case that James Patterson is another great fiction writer with multiple personality trait.


“Along Came a Spider” (post 1) by James Patterson: Both hero Alex Cross and villain Gary hear rational voices, typical of multiple personality.


Since fiction writers hear rational voices in their head (1), they naturally assume that most other normal people do, too. So such voices are often heard by their characters, as a trivial aspect of normal psychology.


However, most people don’t hear such voices. It is people with multiple personality who do. They are the voices of alternate personalities, speaking to the host personality, from behind the scenes.


Alex Cross


“Everything was very noisy inside my head” (2, p. 16).


“…a voice inside me screamed” (2, p. 120).


“A line was sounding in my head: ‘Oh no, it’s tomorrow again” (2, p. 135).


“A phrase drifted through my head. Don’t start anything you can’t finish” (2, p. 178).


Villain with alleged multiple personality


“Gary held his head in both hands. He couldn’t stop the screaming inside his brain. I want to be somebody!” (2, p. 145).


To see the many past posts on this subject, search “voice” and “voices” in this blog.


1. Thaisa Frank, Dorothy Wall. Finding Your Writer’s Voice: A Guide to Creative Fiction. New York, St. Martin’s Press, 1994.

2. James Patterson. Along Came a Spider [1993]. London, HarperCollins, 2004


“Along Came a Spider” (post 2) by James Patterson: The first novel featuring detective/psychologist Alex Cross misclassifies multiple personality.


Alex Cross is both a police detective and a psychologist (Ph.D.). Do the protagonist’s name, “Cross” (as in, a cross between this and that), and his dual occupations, imply that he has a split personality? Just a thought.


One of the main issues in this novel is whether the murderer/kidnapper, Gary Soneji/Murphy, has a real or fake case of multiple personality. Doctor/Detective Alex Cross says:


“A lot of what he’s told us so far suggests a severe dissociative reaction. He appears to have suffered a pretty horrible childhood. There was physical abuse, maybe sexual abuse as well. He may have begun to split off his psyche to avoid pain and fear back then. I’m not saying he’s a multiple, but it’s a possibility. He had the kind of childhood that could produce such a rare psychosis” (1, p. 221). Another doctor continues:


“Dr. Cross and I have talked about the possibility that Soneji/Murphy undergoes ‘fugue states.’ Psychotic episodes that relate to both amnesia and hysteria. He talks about ‘lost days,’ ‘lost weekends,’ even ‘lost weeks.’ In such a fugue state, a patient can wake in a strange place and have no idea how he got there, or what he had been doing for a prolonged period. In some cases, the patients have two separate personalities, often antithetical personalities…” (1, p. 221).


Cross does mention “dissociative,” but he and the other doctor are in error when they refer to multiple personality as a “psychosis” and fugues as “psychotic.” The widely available psychiatric diagnostic manual, the DSM, includes one chapter for Schizophrenia and Other Psychotic Disorders, and, separated by literally two hundred pages, an unrelated chapter for Dissociative Disorders, which includes multiple personality and fugues.


At another point, Cross refers to Gary as a “severe schizophrenic” (1, p. 346). At yet another point, Cross expresses belief in Gary’s split personality, saying that the Gary Soneji personality framed the Gary Murphy personality, “and he’s innocent” (1, p. 382). Near the very end, Cross says, “I was certain he was playing games” (1, p. 432), but it is not clear in what sense Cross means this.


Meanwhile, the novel’s Prologue had fantasized that, back in 1932, it had actually been a twelve-year-old boy who had kidnapped the Charles Lindbergh baby, and that the kidnapper had said to himself, expressing self-satisfaction, “Cool beans” (1, p. 4). (Never mind that, outside this novel, the phrase “cool beans” is not known to have been used before the 1960s.) And Gary, who has sometimes referred to himself as the Son of Lindbergh, also sometimes thinks to himself, “Cool beans” (1, p. 394), perhaps implying that he is the reincarnation of the evil soul of the Lindbergh kidnapper.


To summarize, Alex Cross, psychologist, detective, and, often, first-person narrator, does not understand the distinction between multiple personality and schizophrenia, and never does clearly decide whether or not the villain has been faking mental illness. Meanwhile, a third-person narrator seems to suggest that the villain, Gary, is the evil soul of the Lindbergh kidnapper, reincarnated.


What can account for this inconsistent muddle? It is not stupidity or laziness. The writing shows evidence of high intelligence and hard work. My guess is that the novel was written by a committee of more than one personality.


There is a saying that a camel is a horse made by a committee. But a camel is a noble beast in its own way.


1. James Patterson. Along Came a Spider [1993]London, HarperCollins, 2004.

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