BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Sunday, November 27, 2022

“Christine Falls” by Benjamin Black (pseudonym of Booker Prize-winning author, John Banville): Is  protagonist’s memory gap an alcoholic blackout or a symptom of multiple personality? 

Like Banville’s protagonist (1) (see past post), Black’s protagonist (2) had been a victim of child abuse (2, p. 46). But unlike Banville’s protagonist, Black’s protagonist, Quirke, is a hospital pathologist and a recovering alcoholic.


“Quirke did not eat, but drank more whiskey instead. Suddenly he found himself in the kitchen, with Maggie [the maid at a family gathering]. He looked about in dazed surprise. He seemed to have come to, somehow just at that moment, leaning against the cupboard beside the sink, with his ankles crossed, nursing his whiskey glass to his midriff. What had happened to the intervening time, from when he was standing with the Judge [his relative] to now? Maggie, bustling about, was speaking to him, apparently in reply to something he had said, though what it might have been he could not think” (2, pp. 38-39).


Comment: At first glance, Quirke appears to have had an obvious alcoholic blackout. Nevertheless, it could actually have been a multiple-personality memory gap if Quirke has an alternate personality who likes to drink, which is a surprisingly common scenario. So I will wait to see if Quirke ever gets memory gaps when he is not intoxicated, and if there are any other signs of multiple personality.


1. John Banville. The Sea. New York, Vintage International, 2005.

2. Benjamin Black. Christine Falls. New York, Picador/Henry Holt, 2006.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.