BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, November 9, 2022

“Novelist as a Vocation” by novelist Haruki Murakami

“I am a very ordinary person…I’m not that good at logical argument or abstract thought” (1, pp. x-xi).


“Someone whose message is clearly formed has no need to go through the many steps it would take to transpose that message into a story” (1, p. 10).


“One of the things I most enjoy about writing novels is the sense that I can become anybody I want to be” (1, p. 156).


“Of course it’s the writer who creates the characters; but characters who are—in a real sense—alive will eventually break free of the writer’s control and begin to act independently…many fiction writers acknowledge it. In fact, unless that phenomenon occurs, writing a novel becomes a strained, painful, and trying process. When a novel is on the right track, characters take on a life of their own, the story moves forward by itself, and a very happy situation evolves whereby the novelist just ends up writing down what he sees happening in front of him. And in some cases the character takes the novelist by the hand and leads him or her to an unexpected destination” (1, p. 162).


Murakami says he first got the inspiration to become a novelist when he was attending a baseball game, and the “idea” suddenly came to him: “I think I can write a novel” (1, p. 27).


However, I suspect Murakami is fibbing about his getting an “idea,” per se. He probably heard a voice in his head, the voice of an alternate personality destined to become one of his “independent” characters. And the voice probably said: You can write a novel.


1. Haruki Murakami. Novelist as a Vocation. Translated from the Japanese by Philip Gabriel and Ted Goossen. New York, Alfred A. Knopf, 2022.

2. Wikipedia. https://en.wikipedia.org/wiki/Haruki_Murakami


See Wikipedia (2). Search “Murakami” for past posts.

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