BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, November 14, 2022

“Psychology of Transformative Acting” by Vladimir Mirodan: Overlooks its psychological prototype, switching personalities in multiple personality

It’s wonderful, for example, how Meryl Streep transforms into Mrs Thatcher and Anthony Hopkins transforms into Hannibal Lecter. They illustrate “transformative acting.”


Vladimir Mirodan, an expert on the theory and practice of acting, invokes various psychologists, but never mentions multiple personality, whose defining feature is the transformation from one personality to another. And persons with multiple personality may develop new alternate personalities to deal with new challenges, which is similar to an actor’s taking on a new part.


Mirodan almost addresses multiple personality when he quotes Michael Chekhov as saying actors acquire “divided consciousness” (1, p. 180). Multiple personality is a form of divided consciousness. Mirodan also says that acting students have been found to be more hypnotizable than control groups (1, p. 176), which happens also to be true of persons with multiple personality. But he never mentions multiple personality, probably because he thinks of it only in terms of mental illness.


Transformative actors may have multiple personality trait (not disorder), which, for fiction writers and actors, may be an asset.


1. Vladimir Mirodan. The Actor and the Character: Explorations in the Psychology of Transformative Acting. London, Routledge, 2019.

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