BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, January 18, 2023

“Taste” a short story by Roald Dahl: This story’s very peculiar opening, in which wine is personified, suggests Dahl had multiple personality trait


“Richard Pratt was a famous gourmet. He was president of a small society known as the Epicures…He organized dinners where sumptuous dishes and rare wines were served…and when discussing a wine, he had a curious, rather droll habit of referring to it as though it were a living being. ‘A prudent wine,’ he would say, ‘rather diffident and evasive, but quite prudent.’ Or, ‘a good-humored wine, benevolent and cheerful—slightly obscene, perhaps, but nonetheless good-humored” (1, p. 53).


1.Roald Dahl. The Best of Roald Dahl. New York, Vintage Books, 1990.


For a story synopsis, go to Wikipedia and search “Taste (short story).”


Comment: Since fiction writers often say they speak with their characters, this short story’s very peculiar opening, in which wine is personified, might be what Roald Dahl was told by his character, Pratt, near the beginning of the writing process. This would suggest that Dahl, like most great fiction writers, had multiple personality trait.

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