“Bleak House” (post 6) by Charles Dickens: Why wasn’t Dickens embarrassed to admit (post 5) that he had copied a character?
Because—as I quoted (in a past post) Mark Twain as saying—novelists don’t “create” their characters: They usually experience their characters as coming TO them, not FROM them.
From where, then, do their characters usually come?
From the function of the brain that creates alternate personalities in multiple personality.
I don’t know how the brain does it. But when normal children have imaginary companions, it is practicing.
Added same day: When Esther Summerson in Bleak House recalled how in childhood she had confided in her "Dolly," the latter had been a semi-imaginary companion.
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