BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Sunday, February 19, 2023

“Bleak House” (post 8) by Charles Dickens: Esther’s Conclusion

The last chapter of this novel is titled “The Close of Esther’s Narrative.” It begins:


“Full seven happy years I have been the mistress of Bleak House. The few words that I have to add to what I have written, are soon penned; then I, and the unknown friend to whom I write, will part for ever. Not without much dear remembrance on my side. Not without some, I hope, on his or hers” (1, p. 985).


Comment: It says that Esther, a character who evidently had a mind of her own—in essence, an alternate personality—was the principal writer of this novel, and that she communicated her part of the narrative to her friend, probably Charles Dickens, who, as the unnamed narrator, helped complete it.


This interpretation is based on the fact that, in real life, Dickens once confided in his friend and biographer, John Forster, that he didn’t invent his novels, but, in fact, after hearing and seeing them, wrote them down, as discussed in this blog’s first post: search “Dickens.”


You are entitled to disagree with this interpretation if you are a higher authority on Dickens than Dickens.


1. Charles Dickens. Bleak House [1853]. London, Penguin Books, 2003.

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