BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, February 3, 2023

“Elective Affinities” (post 2) by Goethe: Two characters have identical handwriting, like alternate personalities who are merging in therapy


As I noted in post 1, the names of the four main characters are variations of each other, which is often seen in multiple personality among the alternate personalities. Further evidence of their being like alternate personalities is when the handwritings of two of them become identical.


“…how great was his [Eduard’s] astonishment when he ran his eyes over the final pages…‘That is my handwriting.’ He looked at Ottilie, and again at the pages. Especially the ending was exactly as if he had written it himself” (1, p. 81)…“the beginning in Ottolie’s childish and diffident hand…the ending…looked so much like his own” (1, p. 85).


Comment: Goethe uses Ottilie’s ability to mimic Eduard’s handwriting as evidence for the love between them. But in real life, the handwritings of lovers don’t become identical.


However, in therapy for multiple personality, if an attempt is made to merge two alternate personalities, their handwritings may become identical, to the extent that the merger is becoming successful.


1. Johann Wolfgang von Goethe. Elective Affinities [1809]. Trans. David Constantine. Oxford, Oxford University Press, UK, 1994/2008. 

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