BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, March 13, 2023

“Sometimes I Lie” (post 3) by Alice Feeney: Protagonist fulfills diagnostic criteria for multiple personality, but it is not labeled as such

Since it is a fact that persons with multiple personality may sometimes see some of their alternate personalities when they look in a mirror (1, p. 62):


“I lock the bathroom door and turn to face myself in the mirror. I don’t like what I see, so I close my eyes. I unzip the body of who I used to be and step outside myself; a newborn Russian doll, a little smaller than I was before, wondering how many other versions of me are still hidden inside. I turn on the shower and step beneath it too quickly. The water is freezing cold but I don’t flinch. I let the temperature rise slowly so that I almost don’t feel the water burn my skin when it gets too hot. I don’t know how long I stand like that, I don’t remember. I don’t remember drying myself or wrapping my robe around my body. I don’t remember leaving the bathroom or coming back downstairs. I only remember being back in the lounge, looking in the big mirror above the fireplace and liking the look of the woman who stared back at me” (2, pp. 252-253).


Comment: The two main diagnostic criteria for multiple personality (a.k.a. “dissociative identity disorder”) are 1. the presence of two or more distinct personality states (which Alice Feeney calls “versions”) and 2. memory gaps (when one personality can’t remember what happened during the time that another personality had “come out” (personalities usually remain “inside” except during certain circumstances).


However, since, as in most novels, the multiple personality is not labeled, most readers don’t recognize it as such, and it is not certain that the author did, either. It might reflect the author’s own, creative psychology, which I’ve called their “multiple personality trait.”


1. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

2. Alice Feeney. Sometimes I Lie. New York, Flatiron Books, 2018.

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