BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, May 8, 2023

“Lessons in Chemistry” (post 4) by Bonnie Garmus: Is the dog, named Six-Thirty, merely a dog, at the end?

Elizabeth finally meets the long-lost mother of the man she had loved, a woman who is also the grandmother of her beloved daughter. That woman and her lawyer leave the room, and…


“As the door closed behind them, Elizabeth bent down and took Six-Thirty’s head in her hands. “Tell me. How soon did you know?” [that it was actually the long-lost mother of the only man I ever loved].

At two forty-one, he wanted to say. Which is what I plan to call her.

But instead he turned and jumped up on the opposite counter and grabbed a fresh notebook. Removing the pencil from her hair, she took it from him, then opened to the first page.

“Abiogenesis,” she said. “Let’s get started” (1, p. 386).


Comments: Elizabeth’s dog, whose person-like thoughts are evidently heard as voices in Elizabeth’s head, names himself and the long-lost mother according to the hour they first become known. And though, earlier in the novel, readers may regard the dog as amusing, his role on the last page is alter ego or alternate personality, suggesting multiple personality trait of the author.


1. Bonnie Garmus. Lessons in Chemistry. New York, Doubleday, 2022.

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