BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, May 11, 2023

“The Last Thing He Told Me” by Laura Dave: “Parts” and “Witness Protection” as Metaphors for Multiple Personality

Hannah receives a one-line, two-word note, “Protect her,” from her husband, known to her as Owen, implying he is leaving, and that his last wish is that she protect his daughter from a previous marriage: 


“Part of me still wants to hold on to this one last moment—the moment where you still get to believe this is a joke, an error, a big nothing; the moment before you know for sure that something has started that you can no longer stop (1, p. 8).


[When they had first met] “I’m not saying it was love at first sight. What I’m saying is that a part of me wanted to do something to stop him from walking away…” (1, p. 14).


“If a part of you thinks that it will change one day,” he says. That one day this will go away and Ethan [Owen] can come back to you…That’s untenable. These men [gangsters], they don’t forget. That can never happen” (1, p. 280). So the authorities have been recommending Witness Protection, which Hannah has refused.


Comment: From beginning to end of this novel, more than one character expresses the author’s apparent notion that people have “parts,” which, as I’ve discussed in past posts, is a euphemism for alternate personalities.


The recommendations by the police in this novel for “Witness Protection” has made it occur to me that it is a good metaphor for multiple personality, because alternate personalities originate to protect a person who has experienced or witnessed trauma.


1. Laura Dave. The Last Thing He Told Me. New York, Simon & Schuster, 2021.

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