BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, June 6, 2023

“David Copperfield” (post 1) by Charles Dickens: As an abused child, David psychologically defends himself by impersonating fictional characters

After the love of David’s widowed mother is replaced by the tyranny of his new father and aunt, David takes psychological refuge by impersonating characters in novels:


“I believe I should have been almost stupified but for one circumstance. It was this. My father had left a small collection of books in a little room up-stairs…From that blessed little room, Roderick Random, Peregrine Pickle, Humphrey Clinker, Tom Jones, The Vicar of Wakefield, Don Quixote, Gil Blas, and Robinson Crusoe, came out, a glorious host, to keep me company. They kept alive my fancy, and my hope…and did me no harm…It is astonishing to me now, how I found time…to read those books as I did…by impersonating my favorite characters in them…” (1, p. 66).


Comment: According to the novelist Philip Roth (search past post), the main pleasure of fiction writing is “impersonation.” Dickens’s daughter observed her father impersonate characters when he wrote (search Dickens).


Normal children have two ways of practicing the basic phenomena of multiple personality: 1. imaginary companions, and 2. impersonation of fictional characters. But only traumatized children tend to elaborate these normal talents into multiple personality disorder, or use this ability creatively (e.g., fiction writing) as multiple personality trait.


1. Charles Dickens. David Copperfield [1850]. Revised Edition. New York, Penguin Books, 2004.

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