BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, July 17, 2023

“Self” (post 2) by Yann Martel: Protagonist’s switch to female alternate personality, including the mirror symptom of multiple personality


Before starting college in Canada, after his parents had recently died in a plane crash, when he was visiting Portugal by himself:


“I awoke suddenly…confused. I couldn’t remember anything—my name, my age, where I was—complete amnesia. I knew that I was thinking in English, that much I knew right away. My identity was tied to the English language. And I knew that I was a woman, that also. English-speaking and a woman. That was the core of my being. The rest, the ornaments of identity, came several seconds later, after some mental groping. What I remember most clearly of this confusion is the feeling that came upon me afterwards, the feeling that everything was all right. I looked about the dark room. A deep sense of peace sifted through me, so deep that it felt like a dissolution. I was falling asleep again. I lay on my side, brought the sheet up to my neck and returned, smiling to the realm of Morpheus. Everything was all right.


“This happened on a special night. I got up in the morning, stood naked in front of the mirror looking at myself and thought, ‘I’m a Canadian, a woman —and a voter.’


“It was my birthday. I was now eighteen years old. Full citizen” (1, pp. 107-108).


Comment: The above is best explained by his switching to an English-speaking, female, alternate personality, with amnesia for his regular male, English and French-speaking personality. He has the mirror symptom of multiple personality that I have discussed in various past posts: He looks in a mirror and sees, instead of his regular self, the image of an alternate personality. Search “mirror” and/or “mirrors” in this blog for related past posts.


I will read on to see whether the author probably based the above on his own, similar, understanding, or on his own personal experience.


1. Yann Martel. Self (a novel). Toronto, Alfred A. Knopf Canada, 1996. 

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