BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, September 24, 2023

“Dinner at the Homesick Restaurant” (post 4) by Anne Tyler: Multiple personality usually starts in childhood as a way to cope with trauma

Cody, the oldest son of the protagonist, Pearl Tull, says his mother was “a raving, shrieking, unpredictable witch. She slammed us against the wall and called us scum and vipers, said she wished us dead, shook us till our teeth rattled, screamed in our faces. We never knew from one day to the next, was she all right? Was she not? The tiniest thing could set her off. ‘I’m going to throw you through that window,’ she used to tell me. ‘I’ll look out that window and laugh at your brains splashed all over the pavement.’”


But Cody’s younger brother, Ezra, disagrees. He says their mother “wasn’t always angry. Really she was angry very seldom, only a few times, widely spaced, that happened to stick in your mind” (1, pp. 294-295).


Which brother’s memory is more credible? Ezra is the much more likable character, but had been a sleepwalker with memory gaps (see post 2).


1. Anne Tyler. Dinner at the Homesick Restaurant [1982]. New York, Vintage Books, 2017.

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