BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, December 26, 2023

“Deacon King Kong” (post 3) by James McBride: Protagonist converses with an alternate personality based on his deceased wife, Hettie


“…Hettie suddenly appeared…

“‘I don’t care what you done,’ she said. ‘Fact is, when you walk about being spit on, it don’t much matter what else you think you done.”

“Who spit on me? Nobody spit on me.”

“You spit on yourself.”

“Get done with that foolishness. I’m going to work.”

“Well git on then.”

“…I gived joy to everyone.

“Except your own wife.”

“Oh hush.” 

“I was lonely in my marriage,” she said.

“Stop complaining, woman! Food on the table. Roof over our heads. What else you want? Where’s the damn church money, by the way? I’m in a heap of trouble on account of it!”

“She watched him silently, then after a moment said, “Some of it’s not your fault.”

“Sure ain’t. You the one hid that money.”

“I ain’t talking about that,” she said, almost pensively. “I’m talking about the old days when you was a child. Everything ever said to you or done to you back then was at the expense of your own dignity. You never complained. I loved that about you.”

“Oh, woman, leave my people out of it. They long dead.”

She watched him thoughtfully. “And now here you are,” she said sadly, “an old man funning around a ball field, making folks laugh. Even the boys don’t follow you no more.”

“They’ll follow me plenty when I get ‘em back on the field. But I got to get get off the hook ‘bout them Christmas Club chips first. You kept the money in a little green box, I remember that. Where’s the box? Where’s it at, woman?!” “Stop talking in circles, dammit!" 

"She sighed. When you love somebody, their words ought to be important enough for you to listen…”

“Then she was gone” (1, pp. 159-161).


Comment: Hettie, long-deceased wife, appears, speaks, and departs like she has a mind of her own, which is the essence of an alternate personality, as opposed to a person’s regular personalty’s own thoughts. Of course, if you refuse to think in terms of multiple personality, you could explain Hettie away as a ghost.


1. James McBride. Deacon King Kong. NewYork Riverhead Books, 2020. 

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