BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Wednesday, February 14, 2024

“The Hours” Pulitzer Prize novel by Michael Cunningham: Describes Virginia Woolf’s multiple personality, but does not name it

“She [Virginia Woolf] can feel it inside her, an all but indescribable second self, or rather a parallel purer self. If she were religious, she would call it the soul. It is more than the sum of her intellect and her emotions, more than the sum of her experiences…It is an inner faculty…and when she is very fortunate she is able to write directly through that faculty. Writing in that state is the most profound satisfaction she knows, but her access to it comes and goes without warning. She may pick up her pen…and find that she’s merely herself, a woman in a housecoat holding a pen, afraid and uncertain, only mildly competent, with no idea about where to begin or what to write (1, pp. 34-35).


Comment: Virginia Woolf, based on the real, historical novelist, is one of the characters in this novel. In an earlier scene, she committed suicide, as she did in real life.


The above passage describes Virginia Woolf as having an alternate personality to do her writing, but until Michael Cunningham explicitly mentions multiple personality, I can’t give him credit for understanding it.


Search “Virginia Woolf” in this blog and then scroll down for relevant past posts.


Added same day: The rest of the novel did not hold my attention.


1. Michael Cunningham. The Hours. New York, Picador USA, 1998.

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