BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, February 2, 2024

The Three Musketeers” (post 2) by Alexandre Dumas: Is being self-contradictory ordinary psychology?


“He hated and adored her at the same time. He would never have thought that two such contrary feelings could live in one heart and combine to form a strange and almost diabolical love” (1, p. 362).


Comment: I’ve not yet finished this novel, and it’s possible that the author plans to make the above self-contradiction plausible in the context of subsequent revelations. But readers may differ with each other, and with the author, on whether it is normal to have self-contradictory opinions.


Search “self-contradictory” in this blog for past discussions of why being self-contradictory may be a clue that a person has multiple personality. In essence, the easiest way to be self-contradictory is to have two or more personalities that disagree with each other.


If an author is comfortable with self-contradictory characters—and multiple personality, per se, is not at issue in the story—it may reflect the author’s multiple personality trait, which makes the author think of being self-contradictory as ordinary psychology.


1. Alexandre Dumas. The Three Musketeers. Trans. Lowell Bair. New York, Bantam Classic, 1844/1984. 

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