BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, March 10, 2024

“A Little Life” (post 7) by Hanya Yanagihara: When you look at people with undiagnosed multiple personality, you see only a fraction of who they are


“…it made me remember that what I knew of him [Jude] was just a tiny fraction of who he was” (1, p. 417).


Comment: In spite of the ample evidence of Jude’s multiple personality cited in posts 1-6, the author had not recognized its presence in her own central character. Why? Probably because she had intended to write a serious, literary novel, and had thought of multiple personality as a cheap gimmick found only in commercial novels, which is disproved by this, her own, literary novel.


I will see if the rest of this novel shows more insight into its central character.


1. Hanya Yanagihara. A Little Life. New York, Anchor Books, 2015/2016. 

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