BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, March 25, 2024

“Louder Than Hunger” by John Schu: “In achingly honest free verse, the author takes readers inside the life of a boy with an eating disorder and a loud voice in his head” (front flap)

—Who is this narrator?

“I’m hoping by writing my name (Jake) over and over, I’ll figure out who I am” (1, pp. 5-6).


Comment: How could he know everyone calls him “Jake,” but not be sure who he is? Perhaps the narrator is really a nameless alternate personality.


He says, “I look at a photo of Emily Dickinson taped to my desk. I know her poem by heart. “I’m nobody! Who are youAre you—Nobody—too? (1, p. 8).


—Mirror 

“In the mirror is an ugly, grotesque blob staring back at me, telling me I’m a waste of space, pathetic, worthless. Is that really me? I usually avoid mirrors” (1, p. 50).


Comment:“MPD patients often report seeing themselves as different people when they look into a mirror…In some instances, these alterations of perception of self are so disturbing that the individuals may phobically avoid mirrors (2, p. 62).


—Title, Louder Than Hunger

Comment: The title of this book refers to the loud, coherent voice that the protagonist hears in his head. This title, in and of itself, suggests that this is a multiple personality story: “Almost always, the voices (in MPD) are described as being “heard” within the patient’s head or experienced as ‘loud thoughts.’ They are usually heard clearly and distinctly. These features can help to distinguish them from the auditory hallucinations found in schizophrenic patients, which are more often (but certainly not always) experienced as emanating from outside the person and are often heard indistinctly. The hallucinatory voices of MPD patients often carry on lengthy discussions that seem coherent and logical to the patient” (2, p. 62).


Like novelists conversing with their characters.


1. John Schu. Louder Than Hunger. Somerville Massachusetts, Candlewick Press, 2024.

2. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

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