BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Thursday, May 9, 2024

“Mean Streak” by Sandra Brown: Italics & Namelessness

Two Uses of Italics

1.“Push on, Emory. Place one foot in front of the other. Eat up the distance one yard at a time” (1, p.1): Third-person voice in her head, probably from an alternate personality.


2. “How much farther to go? God, please not much farther” (1, p. 2): First-person thoughts of her regular personality, with italics used only for emphasis.


Nameless Hero

For much of this novel, the big, strong, invincible hero, who rescues and romances Emory, a pediatrician, refuses to disclose his name. Reasons are given for hiding his identity, but they may be rationalizations. His name is eventually disclosed.


Comment: Namelessness, a recurring subject in this blog, is common in multiple personality:


“Many personality systems will have one or more “unnamed” personalities…Most of the “unnamed” personalities will turn out to have names as the therapy progresses. Many alternate personalities are unwilling to reveal their names early in the course of therapy, because this knowledge allows the therapist to call them out. It is important to learn each personality’s name and to use it in working with that personality as part of the patient’s system. Chapter Six covers ways of learning about the names and functions of the alternate personalities in a patient’s personality system” (2, p. 117).


Gratuitous symptoms of multiple personality in a novel probably reflect the author’s multiple personality trait, a creative asset.


1. Sandra Brown. Mean Streak. New York, Grand Central Publishing, 2014.

2. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

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