BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Tuesday, July 2, 2024

“Never Mind” (Book 1) by Edward St Aubyn: Patrick, Age 5, is Abused and Raped by His Father, in this First of Five Patrick Melrose Novels


Memory Gap:“The thought of lunch dragged him back into the present with a strong sense of anxiety. What was the time? Was he too late?…Would he have to eat alone with his father? He always recovered from his mental truancy with disappointment. He enjoyed the feeling of blankness, but it frightened him afterwards when he came out of it and could not remember what he had been thinking (1, pp. 96-7).


“The harder he struggled, the harder he was hit. Longing to move but afraid to move, he was split in half by this incomprehensible violence…After the beating, his father dropped him like a dead thing onto the bed” (1, p. 100).


“Who could he [Patrick’s father] tell that he had raped his five-year-old son?” (1, p. 105).


Comment: Memory gaps are a cardinal symptom of multiple personality (a.k.a. dissociative identity disorder). Search “memory gaps” in this blog.


1. Edward St Aubyn. Never Mind. London, Picador. 1992/1998.


“Bad News” (Book 2) by Edward St Aubyn: Patrick, Now a 22-year-old drug addict, in New York City for the Funeral of his Father, has “another bout of compulsive mimicry”


“Patrick [abusing heroin and cocaine], slumped back in the chair…For a moment he fell quiet. But soon a new character installed itself in his body…launching him into another bout of compulsive mimicry” (2, p, 103-122): including “The Fat Man, “Nanny,” “Gary,” and more than five others.


Comment: A history of childhood trauma, memory gaps, and changes in personality suggest multiple personality disorder, not “compulsive mimicry” (which is not a diagnosis). In a novel, a character’s multiple personality may reflect the author’s creative, multiple personality trait. 


And a clinical diagnosis of multiple personality is often missed when there is an easier, more obvious diagnosis like drug abuse.


Finally, as the back cover says, Patrick heard “insistent inner voices.” Search "voices” in this blog for past discussions of this symptom of multiple personality.


2. Edward St Aubyn. Bad News, London, Picador, 1992/1998.

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