BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Monday, July 8, 2024

“The Talented Mr. Ripley” (post 1) by Patricia Highsmith: Tom Ripley thinks of himself in the Third-person, inadvertently suggesting multiple personality


“Slowly he took off his jacket and untied his tie, watching every move he made as if it were somebody else’s movements he was watching. Astonishing how much straighter he was standing now, what a different look there was in his face. It was one of the few times in his life that he felt pleased with himself” (1, p. 15).


Comment: The above suggests a switch to an alternate personality, but is not identified as such, because multiple personality is not an explicit issue in the novel, and may only reflect the multiple personality trait of the author.


Added same day: This novel re-uses the basic plot of Henry James's The Ambassadors, in which the protagonist is explicitly said to have "double-consciousness," a synonym for multiple personality. Search "Ambassadors" in this blog to see my posts.


Also search "double-consciousness" in this blog.

 

And Added July 9: In fact, Jamesian scholars, with a book load of facts and analysis (2), accuse James of pervasive and serial duplicity, both moral (deceit) and literary (doubling), in both fiction and nonfiction. And they can’t explain it, but multiple personality might. 2. Tredy D, Duperray A, Harding A (eds.): Henry James and the Poetics of Duplicity. Newcastle upon Tyne, Cambridge Scholars Publishing, 2013.


1. Patricia Highsmith. The Talented Mr. Ripley. New York, W. W. Norton & Company, 1955. 

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